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Excerpt from The Theological Eclectic, Vol. 4: A Repertory, Chiefly of Foreign Theological Literature; Nov. And Dec., 1866
Church. Solo parts, performed by single male or female singers, trench upon the rightful boundaries of religious culture. They belong to the sacred concert, to the oratorio, where they certainly can subserve some devotional purpose; yet in these the devotional element is but the secondary consideration, and the artistic the primary; in religious worship this is reversed.
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publisher: Forgotten Books (May 21, 2017)
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